Soundgarden — ‘King Animal’
“I’ve been away for too long,” roars Chris Cornell on the opening track to “King Animal.” The first release since 1996ĢƵ “Down on the Upside,” and only the bandĢƵ sixth studio album, “King Animal” is truly one beast of an effort from the Pacific Northwest rockers. They may have been collectively absent over the last several years, but each member remained heavily active with various bands and projects. The most fruitful recordings have been delivered from Cornell with three albums as a member of Audioslave and four solo releases. CornellĢƵ voice is easily one of the most distinct and engaging in rock music, and itĢƵ nearly intoxicating to once again hear him perform with guitarist Kim Thayil, bassist Ben Shepherd and drummer Matt Cameron as they pound out 13 new tracks with plenty of muscle and brooding flair. Right out of gate with “Been Away Too Long,” the band explodes into a thundering stampede fueled by ThayilĢƵ heavy riffs, ShepherdĢƵ resounding bass licks and CameronĢƵ volatile drumming as Cornell bellows, “You can’t go home.” Cornell might be right, but SoundgardenĢƵ menacing sound is a return to the glory days of 1991ĢƵ “Badmotorfinger.” This album was my first exposure to the band as I searched for more of SeattleĢƵ grunge sound after being mesmerized by NirvanaĢƵ “Nevermind” and Pearl JamĢƵ “Ten” – all released the same year. I later discovered 1994ĢƵ “Superunknown” and have been a fan ever since.
The Thayil-driven “Non-State Actor” focuses on the dark and seedy aspects of political power, nourished by the guttural screams unleashed by Cornell. As satisfying as the band sounds on the harder numbers, they equally shine on the handful of slower arrangements. “Bones of Birds” and “Black Saturday” are minor melodic masterpieces while the engaging “Halfway There” sounds as if it came from CornellĢƵ first solo effort and is easily my favorite track. Yes, SoundgardenĢƵ absence has been a noticeable one. “Don’t know where I’m going/I just keep on rowing,” sings Cornell on the final cut. Fortunately, the band returns to power through and prove they are still an imposing force with the unbridled magnetism of “King Animal.”