Music review: Boston — ‘Life, Love & Hope’
More than 10 years in making, just another band out of Boston strives to recapture the signature sound that propelled them up the record charts during the 1970s.
BostonĢƵ first album since the tragic passing of lead singer Brad Delp in 2007, titled “Life, Love & Hope,” is once again spearheaded by founding member and lead guitarist Tom Scholz.
ScholzĢƵ guitar wizardry and mastery of layering vocals and smooth harmonies launched Boston into the limelight with the bandĢƵ debut release in 1976. Recognized as one of the best-selling albums of all-time, the self-titled album remains one of my personal favorites. I fondly recall purchasing it on 8-track tape with my weekly allowance. Yes, I am that old.
Every tune sweetly oozed of classic rock as the album went on to sell 17 million copies in the United States. I’ll always remember the hypnotic guitar beginning of the opening track with Delp singing, “I looked out this morning and the sun was gone.”
“Life, Love & Hope” opens promisingly with “Heaven on Earth” emulating the infectious vibe of “More Than a Feeling.”
Unfortunately, the good feelings fade swiftly as much of the album falls victim to mediocrity.
A variety of lead singers attempted to fill the vocal void left by Delp, giving the material a lack of consistency and substance. DelpĢƵ vocals are included on the previously unreleased “Sail Away.” The retrospective song about Hurricane Katrina is yet another haunting reminder of how much the band misses DelpĢƵ distinctive voice.
Scholz even joins the singing carousel with a performance on the pedestrian “Love Got Away.” The gifted guitarist redeems himself on the electrifying instrumental “Last Day of School.” While there are a few bright spots on the album, poor production quality plagues the overall sound.
ItĢƵ hard to understand why Scholz, a perfectionist and audiophile, would release an album with inferior sound quality. BostonĢƵ sixth album may feature the familiar image of the spaceship guitar on the cover, but whatĢƵ inside is only a feeble imitation of the bandĢƵ previous offerings.
Just like the 8-track tape, BostonĢƵ classic sound appears to be a thing of the past.

