David Bowie – ‘The Next Day’
After a decadeĢƵ silence, the man who sold the world returns to the music mix with his best effort since 1980ĢƵ “Scary Monsters.” Word of David BowieĢƵ latest album was abruptly announced on his 66th birthday.
Adding to the Thin White DukeĢƵ mystique, the material was recorded in New York over a two-year period shrouded in secrecy with producer and longtime Bowie collaborator Tony Visconti.
The extraordinary vision of Bowie is showcased by a retro sound created during his time spent in Germany during the late ’70s, producing the enthralling albums “Low,” “Heroes” and “Lodger.”
The surrealism and experimentation contained on these three albums can be distinctively heard on the first single “Where Are We Now?”
This fragile ballad is a nostalgic look back at the peak of his Berlin-period creativity, collaborating and carousing with Iggy Pop and Brian Eno.
Even the cover art is a modified version of “Heroes,” adding another cheeky nod to his influential stay in the fractured city.
The title track possesses the feel of Mick RonsonĢƵ spirited guitar riffs first introduced on 1972ĢƵ “The Rise and Fall of Ziggy Stardust and the Spiders from Mars.”
The arrangement features BowieĢƵ double-tracked vocals and the sophisticated style structure of vintage Roxy Music and Talking Heads. The grittiness of “Dirty Boys” is supported by Steve ElsonĢƵ sinister and sexy baritone sax solo as Bowie reminisces about growing up in the working class neighborhoods of London.
“You Feel So Lonely You Could Die” is a melodramatic ballad about isolation and depression with Bowie delivering a hauntingly melodic vocal performance. While most of the material is on the darker side, Bowie manages to brilliantly disguise the troubling lyrics of “ValentineĢƵ Day” through an engaging pop arrangement that at its essence is pure glam rock.
The anti-war anthem “I’d Rather Be High” deals with a solider wishing he was any place other than on the battlefield.
Bowie later follows up with another combat-related number “How Does the Grass Grow?” which derives its name from a British soldierĢƵ WWII chant.
References to the power and influence of Bob Dylan and the creative Greenwich Village scene of the ’60s are highlighted on “(You Will) Set the World on Fire.”
As is often the case with BowieĢƵ music and his intended messages, the listener needs to take the time to slowly peel back the various layers to allow each component to be absorbed and fully appreciated.
“The Next Day” solidifies the StarmanĢƵ surprising comeback and proves once again heĢƵ an adapting musical chameleon.