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Music review: Rod Stewart’s ‘Time’

By Clint Rhodes 3 min read
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Rod Stewart 'Time'

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Rhodes

“Spent some time feeling inferior/Standing in front of my mirror/Combed my hair in a thousand ways/But I came out looking just the same,” sings Rod Stewart on his 1971 classic “Every Picture Tells a Story.” 

A true storyteller for more than 40 years, the 68-year-old singer (who still looks remarkably the same) releases a sentimental collection of beautifully crafted melodies containing personal snapshots of his life experiences. With “Time,” Stewart overcomes his lengthy writerĢƵ block, penning 11 of the 12 age-appropriate tracks that were inspired by the release of his best-selling autobiography last October.

The lone cover is Tom Waits’ tenderly descriptive piano ballad “Picture in a Frame.” The two-time Rock and Roll Hall of Fame inducteeĢƵ signature raspy and soulful voice is still in fine form as Stewart delivers, in my opinion, one of his best performances since 1998ĢƵ charmingly nostalgic “When We Were the New Boys.”

“She Makes Me Happy” opens the album by showing an older-but-wiser Stewart, accompanied by the familiar sounds of acoustic guitar, mandolin and accordion as Stewart sings, “When I get home thereĢƵ a hot bath waiting/Glass of wine on the side.”

StewartĢƵ certainly come a long way from the days detailing an older womanĢƵ seduction on the timeless “Maggie May.”

“Can’t Stop Me Now” outlines StewartĢƵ early career setbacks, prevailing over record company obstacles with an unshakable determination and a fatherĢƵ support. From the rocking “Finest Woman,” a fond nod and a wink to his third wife, to “Pure Love,” a tenderhearted ballad to his children, Stewart sounds sincere and content.

The only questionable number on the album is the awkward “Sexual Religion” as it uncomfortably evokes the memories of the disco-textured “Do You Think I’m Sexy?”

After raiding my older brotherĢƵ extensive record catalog in the early ’70s, I discovered the charisma of StewartĢƵ throaty vocals on 1972ĢƵ “Never A Dull Moment,” featuring “True Blue,” “Lost Paraguayos” and, of course, “You Wear It Well.”

Since that time, I’ve been a Stewart fan through all the singerĢƵ phases and diverse career choices.

After releasing eight cover albums including the “Great American Songbook” series, itĢƵ a treat to find Stewart returning to his rich blues and folk influence contained on his early solo albums.

While time waits for no one, it certainly has been kind to Stewart and rewarding to his fans.

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