Music review: Katey Sagal — ‘Covered’
Katey Sagal is a Golden Globe Award-winning actress who also knows a thing or two about music. Known for her television roles on the comedy “Married…With Children,” animated series “Futurama” and the highest-rated program in the history of FX “Sons of Anarchy,” the 59-year-old actress offers up a 10-track collection of cover songs on the aptly titled “Covered.”
“Covered” is SagalĢƵ third solo album and follows up 2004ĢƵ “Room.” This time around, Sagal delivers her own interpretations of arrangements from some of her favorite songwriters such as Joni Mitchell, Ryan Adams, Jackson Browne and Gillian Welch. ItĢƵ hard to go wrong with quality material by this group of talented writers, yet Sagal manages to hit a few bumps along the way.
The first single, Tom PettyĢƵ “Free Fallin’,” sets a sour note as it comes across as a mediocre karaoke offering. Sagal quickly recovers on a heartfelt version of “For a Dancer,” originally from BrowneĢƵ album “Late for the Sky” from 1974.
Sagal is clearly not just another actor hoping to become a singer since paying her dues early in her career as a backing vocalist for acts like Bette Midler, Etta James, Olivia Newton-John and Tanya Tucker.
With the proper songs, Sagal sounds engagingly passionate and sophisticated.
Bright spots include a duet with Browne on an emotional version of Steve EarleĢƵ “Goodbye” and a tender interpretation of Ron SexsmithĢƵ “Secret Heart.”
SagalĢƵ best performance is witnessed on the albumĢƵ lone original song.
Written by “Sons of Anarchy” musical director Bob Thiele and songwriter Tonio K., “Follow the River” proves to be a perfect match for SagalĢƵ soulful voice.
Unfortunately, selections like Ray LaMontagneĢƵ “Roses & Cigarettes,” WelchĢƵ “Orphan Girl” and Adams’ “I Love You But Don’t Know What to Say,” prove to be uninspired offerings.
Sagal clearly proves that she can dazzle when given the right songs. Hopefully, she’ll abandoned the need to stop covering songs from other artists and will turn her attention to writing and performing her own arrangements like she did on her 1994 debut release.

