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Music review: Elton John — ‘The Diving Board’

By Cllint Rhodes crhodes@heraldstandard.Com 3 min read
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For his latest release, Elton John makes a big splash with a back-to-basics approach that brought him success early is his musical career. “The Diving Board” harkens back to the sound and texture of classic albums like 1970ĢƵ “Tumbleweed Connection” and 1972ĢƵ “Honky Chateau.” The 66-year-old singer-songwriterĢƵ 30th solo album continues the prosperous partnership between John and lyricist Bernie Taupin.

JohnĢƵ first solo album in seven years builds off the creative genius displayed by the collaboration with Leon Russell on 2010ĢƵ “The Union.” After producing the John and Russell sessions, T Bone Burnett returns to oversee the production. As a result, the sound of the new arrangements comes off simplistic, clear and honest as the emphasis is solely placed on JohnĢƵ distinguished vocals and piano playing. Once again, Taupin delivers evocative lyrics that add a retrospective feel to the overall mood of the material. I became a casual John listener with 1973ĢƵ “Goodbye Yellow Brick Road,” but became a devoted fan with “Captain Fantastic and the Brown Dirt Cowboy.”

On the 1975 masterpiece, John and Taupin proficiently created a flawlessly engaging concept album at the pinnacle of their success, outlining the duoĢƵ musical struggles and rise through a collection of songs that painted vividly detailed pictures with majestic style.

“OceanĢƵ Away” is a compelling piano ballad that opens JohnĢƵ latest chapter with a fond remembrance of his elders as John sings, “I hung out with the old folks in the hope that I’d get wise.” Lead single, “Home Again,” is another intimate and nostalgic arrangement powered solely by the pure elegance of JohnĢƵ vocals and piano playing.

On “The Ballad of Blind Tom,” John delivers a bluesy and passionate arrangement about the musical prodigy Blind Tom Wiggins, while “Take This Dirty Water” is a soulful, gospel-tinged number in the same vein of “Take Me to the Pilot.”

Elements of “Someone Saved My Life Tonight” can be found on the fragile “Can’t Stay Alone Tonight.”

“The New Fever Waltz” and “Dream, Pt. 3” are elegantly haunting, with the latter song evoking comparisons to the opening portion of the powerfully moving “Funeral for a Friend (Love Lies Bleeding).”

With more than 44 years of making memorable music, John has never sounded more sophisticated or more compelling.

“The Diving Board” is a perfectly natural launching point for more of JohnĢƵ musical brilliance to shine.

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