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Music review: Asia – ‘Gravitas’

By Clint Rhodes for The 2 min read
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Asia - “Gravitas”

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Rhodes

In 1982, AsiaĢƵ debut album was released and went on to become the best-selling album of the year. Fueled by mega-hits like “Heat of the Moment,” “Only Time Will Tell” and “Sole Survivor,” the supergroupĢƵ sound quickly transformed me into a huge fan.

Thirty-two years later, the progressive rock band offers a new collection of arrangements possessing AsiaĢƵ trademark sound. “Gravitas” is the follow-up to “XXX,” the bandĢƵ comeback release commemorating AsiaĢƵ 30th anniversary.

Over the years, the band has experienced several lineup changes. Most recently, Steve Howe left to reunite with Yes and pursue side projects, leaving original members John Wetton, Carl Palmer and Geoff Downes to find a new guitarist.

The highly recommended Sam Coulson makes a seamless transition as the bandĢƵ latest addition. The 27-year-old guitar whiz instantly infuses a guitar-driven texture displayed on numbers like “Nyctophobia” and “Heaven Help Me Now.” All the new material was written and produced by Wetton and Downes.

As a result of the duoĢƵ meticulous attention to detail, the album possesses a fresh energy and focused purpose.

The title track radiates a nostalgic vibe through its haunting harmonies, soaring keyboard textures and poignant lyrics about a failing relationship.

“Valkyrie,” inspired from Norse mythology, opens the album with WettonĢƵ voice still sounding as majestic as ever.

The stirring “I Would Die for You” contains traces of the older classics “Don’t Cry” and “Here Comes the Feeling.”

The album closes with the passionate “Till We Meet Again,” once again serving as a reminder of the glory days when songs like “The Smile Has Left Your Eyes” and “Go” ruled radio. As expected on any Asia album, the musicianship is magnificent and the writing wondrous, making the bandĢƵ 14th studio release another richly layered gem.

Following a longstanding tradition, the intoxicating art of Roger Dean is prominently showcased on the album cover.

If the artwork style looks familiar, DeanĢƵ art has also regularly appeared on covers for bands such as Yes and Uriah Heep.

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