Music review: Loverboy – ‘Unfinished Business’
LoverboyĢƵ latest release features the veteran Canadian rockers sounding completely refreshed and satisfied. Forty years in the making, “Unfinished Business” boasts an impressive set of unfinished demos from various stages of the bandĢƵ career.
These re-recorded songs masterfully mirror LoverboyĢƵ signature sound from albums like 1981ĢƵ “Get Lucky” and 1985ĢƵ “Lovin’ Every Minute of It.” Having purchased the bandĢƵ self-titled debut album back in 1980, I was immediately impressed with how well the band has held up over the years.
With vigorous tracks like “Turn Me Loose,” “Hot Girls in Love,” “Working for the Weekend” and “When ItĢƵ Over” on LoverboyĢƵ resume, I was hoping for the best but prepared for disappointment. Any doubts were quickly dispelled on the albumĢƵ opening number.
Led by the scorching guitar riffs of Paul Dean, Mike RenoĢƵ still-youthful vocals and catchy chorus, “Fire Me Up” is a tasty throwback to the slick arena rock of the 1980s. Pumping bass and synthesizer highlight rousing songs like “Countin’ the Nights,” “Ain’t Such a Bad Thing” and “You Play the Star.” The standout track is surprisingly delivered on “Slave.”
The electrifying number shines with an absorbing feel reminiscent of Deep PurpleĢƵ “Burn” and “Highway Star,” proving Loverboy can kick it into a higher gear when needed. Unfortunately, not every song on the album strikes a favorable note. The power ballad “Come Undone” and the overly dramatic “War Bride” should have been left unfinished and forgotten.
LoverboyĢƵ fans played a major role in selecting the name of the new album by voting on Facebook.
Inducted into the Canadian Music Hall of Fame in 2009, Loverboy still seems to be loving every minute in the spotlight.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard.com.

