Music review: Eric Church — ‘The Outsiders’
“ItĢƵ a different kind of cloth that we’re cut from,” sings Eric Church on the title track of his fourth studio album.
ItĢƵ a true monster of a track with a rebellious combination of Waylon Jennings meets Led Zeppelin. Elements of country, heavy metal and rock fuse into an intriguing blend of swagger, defiance and danger.
I guess thatĢƵ what you start churning out after you’re invited to be the opening act for Metallica. Powered by the hits “Springsteen” and “Drink in My Hand,” the North Carolina singer-songwriter established himself as a country star on the strength of the 2011ĢƵ “Chief.”
With “The Outsider,” Church continues to muster up an entertaining mixture of traditional, passionate country tunes and guitar-driven rock. “ThatĢƵ Damn Rock & Roll” hammers home the rowdy lifestyle of a rock star with an infectious guitar riff reminiscent of AC/DCĢƵ “Highway to Hell.” Now thatĢƵ what I call pure country outlaw to the hilt.
The chilling circumstances found on “Cold One” display ChurchĢƵ knack for delivering humor and charm. Singing about losing his girlfriend as she defiantly walks off with his beer is one cold slap indeed. “Talladega” and “Give Me Back My Hometown” are nostalgic numbers about good friends, good times and the virtues of small-town America.
Church shines as he delivers a tender ballad about surviving a turbulent lifestyle on “A Man Who Was Gonna Die Young.” The 36-year-old wonders in amazement how heĢƵ managed to outlive Hank Williams and Jesus, crediting the love of a good woman for his survival.
Not everything Church touches turns to gold as witnessed on “Devil, Devil (Prelude: Princess of Darkness).” This anti-establishment tale about the dark side of NashvilleĢƵ music industry gets weird in a hurry as Church chooses to deliver a mostly Jim Morrison-esque narrative that becomes blurred and boring after eight grueling minutes of bizarre imagery.
Fortunately, Church recovers quickly on the “The Joint.” Church avoids the obvious on the witty closer as he sings about mamma torching the house, and not the stuff recently legalized in Colorado. With the release of “The Outsiders,” Church proves heĢƵ a modern-day outlaw blazing his own musical trail.

