Music review: Peter Gabriel – ‘And I’ll Scratch Yours’
Back in 2010, Peter Gabriel released an album of uncommon covers from the likes of David Bowie, Neil Young, Radiohead, Bon Iver, Arcade Fire and others.
“Scratch My Back” was GabrielĢƵ first studio album in eight years and was originally intended to be issued as a two-part song swap. For the companion album, “And I’ll Scratch Yours,” the artists covered by the former Genesis frontman were to return the favor and perform their noteworthy interpretations of selected Gabriel arrangements.
After a three-year delay, listeners finally get the opportunity to experience the final
measure of GabrielĢƵ musical vision. Even with the absence of Bowie and Young, “And I’ll Scratch Yours” contains some eye and ear opening offerings.
David Byrne kicks off the album with a pulsating take of “I Don’t Remember.” ByrneĢƵ engaging falsetto replaces the desperation of not remembering with jovial enthusiasm. Arcade FireĢƵ performance of “Games Without Frontiers” sticks closely to the original with a sterile and robotic tone. Bon IverĢƵ intriguing banjo opening sparks a spirited and stripped-down version of “Come Talk to Me.”
Lou Reed is simply being himself with a disconcerting offering of “Solsbury Hill,” while Paul Simon plays it straight with his acoustic version of “Biko.” Randy Newman steals the show with his sarcastic flavorings on “Big Time.”
The numerous musical directions followed by the artists on “And I’ll Scratch Yours” create a compelling collection of complicated and complex songs.
ItĢƵ unfortunate that the two albums weren’t released simultaneously as originally planned. Both penetrating pieces must be wholly absorbed in their entirety to be fully appreciated.

