Music review: Beck — ‘Morning Phase’
Beck offers up a Southern California kind of mellow on his first studio album in nearly six years.
Described as a companion piece to 2002ĢƵ “Sea Change,” “Morning Phase” gracefully threads themes of isolation, loneliness and despair into one atmospheric tone.
The 43-year-old singer-songwriter has come a long way since his 1994 debut “Mellow Gold,” featuring the slacker anthem “Loser.” No longer a loser, Beck returns to mastermind a transcendent set of deeply ethereal and refined songs. “Morning” and “Unforgiven” are reminiscent of the soothing and reflective sound contained on David GilmourĢƵ “On an Island.”
Other beautifully crafted arrangements such as “Heart Is a Drum,” “Blue Moon” and “Turn Away” evoke the lush harmonies of the Beach Boys and Crosby, Stills and Nash, while “Country Down” comfortably feels Neil Young-like with its flavoring of folk and country.
BeckĢƵ father, David Campbell, orchestrates the lush string arrangements on “Cycle” and “Phase,” providing a comforting cushion to caress the somber and subdued lyrics.
Beck also enlisted the services of several of the musicians featured on “Sea Change,” adding to the continuity of the albumĢƵ overall texture. While listening to “Morning Phase,” I couldn’t help but draw comparisons to the melancholy beauty of Nick Drake on tracks such as “Say Goodbye,” “Don’t Let It Go” and “Waking Light.” Much like DrakeĢƵ 1972 acoustic “Pink Moon,” Beck follows a similar minimalist approach with stripped-down arrangements and striking imagery.
Perhaps part of the somber tone emanating from the new material can be attributed to the artistĢƵ recovery from severe spinal damage prior to the recording of the album.
Despite the dark tone of the lyrics, small glimmers of hope and promise can be felt through the dreamy musical accompaniment. “Morning Phase” shows a maturing artist who is comfortable with the next phase of his life and career.

