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Music review: Natalie Merchant – ‘Natalie Merchant’

2 min read
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Natalie Merchant -”Natalie Merchant”

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Rhodes

With the new release of her self-titled album, Natalie Merchant returns with her first set of original songs in 13 years.

The elegantly crafted arrangements tenderly convey messages of love, loss, hurt, reflection, redemption and triumph. The singer-songwriterĢƵ sixth solo release features an 11-song collection of lush arrangements caressed by soothing strings, bass, piano, organ and woodwinds. I’ve always considered Merchant the female version of James Taylor. Both singers possess a voice that delivers folk-pop messages with the comfort and compassion of an old friend.

As the poetic frontwoman of 10,000 Maniacs, MerchantĢƵ distinctive voice shined on songs like “Because the Night,” “Hey Jack Kerouac” and “Like the Weather.” Merchant would later leave the band to pursue a solo career, releasing “Tigerlily” in 1995.

On the new material, the sincerity and beauty of MerchantĢƵ voice is further enhanced through stunning guest vocal performances by Simi Stone, Elizabeth Mitchell and Corliss Stafford. “Ladybird” is a sweet and gentle opener that details the hurt and disappointment of a failing relationship. Power, greed and entitlement are explored on “Texas,” while “Giving Up Everything” is a moving piece that features sweeping orchestration and desperately honest lyrics.

The highlight of the album comes on the soulful “Go Down Moses.” Stafford brings a gospel flavoring to the passionate number about New Orleans and Hurricane Katrina. The 50-year-old singer sounds as vibrant today as she did back when I was first captivated by her singing on hits like “These Are Days” and “Candy Everybody Wants” from 1992ĢƵ “Our Time in Eden.” Merchant self-produced the new album and penned all the arrangements.

The New York nativeĢƵ consistently steady career continues to gracefully mature with her honest and poignant observations about the ever-changing world around us.

Merchant will make a Pittsburgh appearance at the Carnegie Library Music Hall on July 22.

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