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Counting Crows – ‘Somewhere Under Wonderland’

2 min read
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Counting Crows - 'Somewhere Under Wonderland’

2 / 2

Rhodes

It was 21 years ago that a good friend of mine introduced me to the debut release by the Counting Crows, “August and Everything After.” Since that time, I have collected every album by the California band and attended numerous live performances.

To say that I’m a huge fan would be a gross understatement. After patiently waiting six years for a new set of original material from the alternative rockers, my expectations were high as I anxiously played the opening track. “Palisades Park” is chaotically beautiful with its various tempo shifts and descriptive lyrics that fondly drip of sentimental longing and change.

Clocking in at over an engrossing eight minutes, the opener sets the stage for the spontaneity and complexity of the arrangements to follow. Frontman Adam Duritz could sing a restaurant menu and make it sound enchantingly reflective and absorbing.

HeĢƵ always had a magical way of making complicated subjects sound simple, clear and promising.

“Earthquake Driver” follows with a dramatic splash of curious whimsy, while the vivacious tone of “Dislocation” is unrelenting and spirited as the number mirrors the intensity of “Angels of the Silences” from 1996ĢƵ “Recovering the Satellites.”

Arrangements like “God of Ocean Tides” and “Cover Up the Sun” exude the gentle touches of country and folk witnessed on the bandĢƵ cover of the Grateful DeadĢƵ “Friend of the Devil” from “Echoes of the Outlaw Roadshow.”

Closing the album is the piano-driven “Possibility Days” with moving imagery that harkens back to earlier lyrical treasures like “Perfect Blue Buildings” and “Sullivan Street” from the bandĢƵ debut release.

“The best part of a bad day is knowing itĢƵ okay,” assuredly sings Duritz with a confidence and innocence that feels like a tender, unexpected embrace.

“Somewhere Under Wonderland” delivers a unique blend of hearty hooks, colorful lyrics and masterful musicianship, establishing it as one of the bandĢƵ finer moments.

Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard.com.

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