Music review: Grace Potter – ‘Midnight’
“Forgive me if I’m not myself tonight,” announces Grace Potter on the opening track of her first solo release. ItĢƵ almost as if she is bracing devoted fans for what is to follow.
The vivacious frontwoman for Grace Potter and the Nocturnals the last 13 years goes it alone by changing her musical direction similar to U2ĢƵ unexpected techno offerings highlighted on “Pop.”
The 32-year-old Vermont native abandons her earthy blues-rock style for a fashionable pop-dance vibe reminiscent of early Madonna.
The soulful swagger found on previous Potter tracks like “Medicine,” “Hot Summer Night” and “Paris (Ooh La La)” from her bandĢƵ 2010 passionate effort is now replaced by synth-driven tracks filled with pulsating dance beats and seductive charm. Over the years, Potter has always demonstrated plenty of flirtatious swagger to go along with a great set of pipes.
On “Midnight,” Potter gets adventurous with a set of arrangements possessing a stylish sex appeal that is intoxicatingly hypnotic. “You struck the match and now I can’t control myself,” confesses Potter on “Hot to the Touch.” The infectious bass grooves of “Alive Tonight” and “Your Girl” lead into the tasty tone of “Delirious” with its playful mixture of Bananarama adorability. PrinceĢƵ signature style of sophisticated funk overruns the slick “Look What We’ve Become” and “Biggest Fan” oozes of teasing seduction once delivered by BerlinĢƵ Terri Nunn in her prime.
If you’re not familiar with Nunn, I strongly urge you to give a listen to 1984ĢƵ “Love Life.” Not every tune is drenched with glossy production and sugary satisfaction. “Instigators” is a rousing rocker that explodes into an exuberant anthem filled with plenty of punch and fiery attitude. Shades of Sheryl Crow can be found on the pop tracks “Empty Heart” and “NobodyĢƵ Born With a Broken Heart.”
For all its glorious moments of sleek sensuality, the albumĢƵ brightest triumph is delivered on the final number. “Let You Go” is a soaring ballad about coming to terms with loss and showcases PotterĢƵ extraordinary voice by bringing the set to a moving and gratifying close.
With “Midnight,” Potter makes a flashy statement that sheĢƵ ready, willing and able to conquer a variety of musical styles without hesitation.
Potter comes to Pittsburgh on Oct. 6 for a Stage AE performance.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard.com.