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Music review: Rhiannon Giddens – ‘Tomorrow Is My Turn’

2 min read
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I first became aware of Rhiannon Giddens and her enchanting voice while watching ShowtimeĢƵ “Lost Songs: The Basement Tapes Continued.”

For the music documentary, five of todayĢƵ most gifted songwriters collaborate under the direction of producer T Bone Burnett to create music for a collection of newly discovered lyrics written by Bob Dylan in 1967.

Joined by Elvis Costello, Marcus Mumford of Mumford & Sons, Taylor Goldsmith of Dawes and Jim James of My Morning Jacket, Giddens was the one artist that made a lasting impression on me.

“Tomorrow Is My Turn” is the much-anticipated debut solo release by the singer, songwriter, multi-instrumentalist and member of the Carolina Chocolate Drops.

As expected, the North Carolina nativeĢƵ captivating voice steals the show in jaw-dropping fashion.

As a graduate of Oberlin Conservatory, Giddens’ classically trained voice meticulously reinterprets a varied collection of songs made popular by such female singers as Nina Simone, Odetta, Sister Rosetta Tharpe, Patsy Cline and Dolly Parton.

The album opens passionately with “Last Kind Words,” a blues number recorded by Geeshie Wiley in 1930.

Giddens packs a powerful punch of raw emotion on OdettaĢƵ “Waterboy,” delivers a spirited sermon on TharpeĢƵ gospel number “Up Above My Head” and adds a contemporary charm to SimoneĢƵ “Black Is the Color.”

Other standout tracks include PartonĢƵ “Don’t Let It Trouble Your Mind,” ClineĢƵ “SheĢƵ Got You” and a delightfully quaint version of Elizabeth CottenĢƵ “Shake Sugaree.”

Reuniting once again with Burnett as producer, Giddens effortlessly dabbles in traces of Americana, folk, blues, gospel, soul and country to firmly weave her own individual style into the fabric of each memorable arrangement. The lone original number on the album gently brings things to a close.

“Angel City” was penned by Giddens and offers a glimpse of the talented artistĢƵ songwriting prowess.

Giddens’ star continues to rise and should shine brightly for many years to come.

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