Music review: Mumford & Sons – ‘Wilder Mind’
Sounding like a harmonious blending of ColdplayĢƵ airy tone, the relaxed coolness of Dave Matthews and the earthy bravado of Kings of Leon, the latest album from Mumford & Sons is a major musical departure from 2012ĢƵ “Babel.”
While “Babel” was a huge commercial and critical success, I was still hesitant to jump on the bandwagon. With the release of “Wilder Mind,” I’m completely on board with a front-row seat to enjoy the entertaining excursion.
For the new material, gone is the banjo, folksy acoustic guitar chords and kick drum, replaced with the hum of electric guitars, full drum kit and calming keyboards delivering a serene layering of synth chords resulting in a more expansive sound. New producer James Ford (Arctic Monkeys and Florence + The Machine) was brought in to oversee the British quartetĢƵ most collaborative effort to date, with every member participating in the creative process.
“Tompkins Square Park” opens the album in commanding style as Marcus Mumford sings about a crumbling partnership and the desperate attempt to find a successful healing solution.
The albumĢƵ first single, “Believe,” finds the band taking a cue from Coldplay and Snow Patrol by delivering a soft, stirring synthesizer aura comfortably layered with guitar and piano chords as MumfordĢƵ passionate vocals describe the hurt, confusion and frustration of a relationship experiencing a communication breakdown.
Led by driving electric bass, “The Wolf” is undeniable proof that abandoning the unplugged approach was the right move at the right time. Hypnotic tracks like “Just Smoke” and “Broad-Shouldered Beasts” best illustrate the bandĢƵ new style, while “Ditmas” has quickly become my favorite arrangement with its soaring chorus and glorious guitar riffs.
Change is inevitable. For Mumford & Sons, change leads to progress and the start of a new adventure.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard.com.