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Music review: Bryan Adams – ‘Get Up’

3 min read
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On the song “Summer of ’89,” Butch Walker cleverly confesses, “Smothering the cover of a ’69 summer/Played through a speaker of fuzz/Nobody knew Bryan Adams wasn’t cool/The TV just told me he was.”

Propelled by regular video play on MTV and the blockbuster album “Reckless,” Bryan Adams seemed to be everywhere in 1984 delivering hits like “Summer of ’69,” “Run to You,” “ItĢƵ Only Love” and “Somebody.” I’ll admit, I thought the Canadian rocker was pretty cool in his jeans, white T-shirt and black leather jacket. And I still do.

“Get Up” is the singer-songwriterĢƵ 13th studio album and serves as a departure from his last effort of cover songs that inspired him to become a musician on “Tracks of My Years.” Produced by Jeff Lynne, the new material has the Electric Light Orchestra frontmanĢƵ signature sound masterfully weaved into each track and could have easily been a Lynne solo release. For his first set of original songs since 2008, Adams co-wrote all the tracks with his longtime collaborator Jim Vallance.

The kick-off number has a rockabilly influence that possesses a mellow sound reminiscent of a smooth blending between Tom Petty and Traveling Wilburys.

“Go Down Rockin'” follows with a gritty defiance as Adams expresses that heĢƵ never slowing down as he declares, “If you got a problem, better tell me to my face.”

Over his career, Adams has released his share of great ballads. “We Did It All” is another tender number that follows in the footsteps of “(Everything I Do) I Do It for You” and “Heaven.”

“Brand New Day,” the albumĢƵ first single, is a melodic rocker that effortlessly captures the vibe of other classic Adams and Vallance penned songs from 1983ĢƵ “Cuts Like a Knife.”

The only blemish to “Get Up” is its brevity. Of the albumĢƵ 13 tracks, four are acoustic versions of songs already covered on the album.

Considering the time between albums containing new material, it would have been more satisfying to hear just a little more of Adams’ infectious, straightforward pop-rock offerings. In the end, Adams delivers just enough of the goods to keep fans happy and reinforces that if and when heĢƵ ready to call it a career, he’ll do it going out rocking.

Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard.com.

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