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Music review: Toby Keith – ’35 MPH Town’

2 min read
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For his 18th studio release, Toby Keith delivers another well-balanced set of arrangements created from the same mold of earlier albums such as “Drinks After Work,” “Hope on the Rocks” and “ClancyĢƵ Tavern.”

As usual, the Oklahoma native demonstrates his rowdy tendencies, sentimental side and ornery nature on his first release in nearly two years.

Once the “Angry American,” the opening track finds Keith embracing AmericaĢƵ melting pot, where people can set aside their differences and share a cold one at the local watering hole. Sounding like a sequel to 2003ĢƵ “I Love This Bar,” “Drunk Americans” proves that indeed alcohol can bring us all together as Keith sings, “We ain’t East, we ain’t West/We ain’t left, we ain’t right/We ain’t black, we ain’t white/We just came here to drink.”

Just like fellow country superstar Kenny Chesney, Keith adds a tropical flavoring to a pair of sailing-related tunes. With assistance from Jimmy BuffettĢƵ Coral Reefer Band, “Rum Is the Reason” cleverly explains what specifically prevented pirates from ever ruling the world while “Sailboat for Sale” features Buffett partnering with Keith on this laid-back charmer.

The title track showcases Keith at his best as he sings about the slow moral decay of daily life in a small town caused by an absence of God, respect for hard work and love for family values.

Keith describes a neighborhood where the kids no longer play football in the front yard, the porch light no longer signals the time to come home and households where the Bible simply sits in a shelf unopened instead of being part of everyday life.

A blaring horn section rattles the rafters and shakes the floorboards on “10 Foot Pole” and “Good Gets Here” and sentimental numbers like “What She Left Behind,” “Haggard, Hank and Her” and “Beautiful Stranger” prove Keith can slow it down and set a mood with the best of them.

Twenty-two years after his self-titled debut release, Keith is still in the driverĢƵ seat with “35 MPH Town.”

Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard.com.

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