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Music review: Santana – ‘Santana IV’

By Clint Rhodes for The 3 min read
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My earliest memories of Santana are fondly recalled from the bandĢƵ electrifying performance at Woodstock in 1969. No, I wasn’t there. I was only five years of age at the time. But a few years later, my oldest brother would defiantly blast his vinyl copy of the festival soundtrack on the family stereo console for all the neighbors to hear whenever our parents were out of the house.

Songs like “Going Up the Country” by Canned Heat, “I’m Going Home” from Ten Years After and “Freedom” by Richie Havens would consume our street and continue to fuel my early interest in all musical styles.

Of all the Woodstock performances, SantanaĢƵ “Soul Sacrifice” was the one track that always stood out for me. Over the next 20 years, I could always satisfy my Santana fix by borrowing an album or two from my brotherĢƵ extensive record collection.

For SantanaĢƵ latest studio release, Carlos Santana looks to recapture the classic Latin-tinged rock style showcased on 1971ĢƵ “Santana III,” which delivered such memorable arrangements as “Batuka,” “No One to Depend On” and “EverythingĢƵ Coming Our Way.”

Forty-five years later, the legendary guitarist performs with his original lineup from SantanaĢƵ third release featuring percussionist Michael Carabello, organist and lead vocalist Gregg Rolie, drummer Michael Shrieve and guitarist Neal Schon. Both Rolie and Schon would leave the band in 1973 to form Journey, and after the addition of vocalist Steve Perry for 1978ĢƵ “Infinity,” Journey would go on to become one of the most popular rock bands of the early 1980s.

From the opening notes of the funky “Yambu” to the tender closing of “Forgiveness,” “Santana IV” carries a vibrant energy as the band picks up right where it left off by delivering another stirring set of spirited songs possessing elements of blues, rock and Latin flavorings earlier offered on SantanaĢƵ first three albums.

The first single, “Anywhere You Want to Go,” carries the same infectious vibe of “Oye Como Va” as RolieĢƵ still stellar voice offers an open invitation singing, “So tell me what you want to do/And where you want to go/We can fly, we can drive, we could walk, baby/I don’t know.”

The impassioned guitar work of Santana and Schon sizzles and shines on the instrumental tracks “Fillmore East” and “Echizo,” while Ronald Isley makes a guest vocal appearance on “Love Makes the World Go Round” and “Freedom in Your Mind.”

The universal sound of vintage Santana is reborn on the 16 new tracks, evoking memories from that special period of “Three Days of Peace and Music” when the band stepped on stage and introduced themselves to the world.

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