Music review: Megadeth – ‘Dystopia’
During my senior year of college, I picked up a copy of MegadethĢƵ “Peace Sells … But WhoĢƵ Buying?” for my first taste of thrash metal. The 1986 release showcased the groupĢƵ menacing metal at its very best with a killer cut of “Peace Sells.”
At the time, peace may have been selling but in todayĢƵ Megadeth world, paranoia is the new trend. Opening with the ominous “The Threat Is Real,” fear is an accelerant that fuels the searing lyrics with frontman Dave Mustaine warning, “The vultures have come home to nest.”
After the lackluster appeal of 2013ĢƵ “Super Collider,” MegadethĢƵ 15th studio release is a blistering re-emergence and the bandĢƵ best album since 2004ĢƵ “The System Has Failed.”
The opposite of utopia, the albumĢƵ name refers to a society characterized by poverty, oppression and human misery. “ThereĢƵ panic and thereĢƵ chaos rampant in the streets/Where useless thoughts of peace are met with rage,” snarls Mustaine on the haunting title track.
MustaineĢƵ apocalyptic and menacing lyrics match the rapid-fire intensity of the music as each arrangement ushers listeners to the brink of exhaustion.
Helping Mustaine deliver his politically charged views is bassist David Ellefson and new guitarist Kiko Loureiro of the band Angra and Lamb of God drummer Chris Adler. With the current lineup, the band masterfully unleashes vintage metal anthems with a renewed zest and sharpened focus.
The sinister “Poisonous Shadows” is as chilling as a distant death rattle while “Post American World” describes the world with the absence of AmericaĢƵ influence and strength.
Megadeth draws the curtain with muscles flexed and fists clenched during a pulse-pounding cover of FearĢƵ “Foreign Policy.”
“Dystopia” leaves little doubt about the bandĢƵ intentions of delivering a thrashing audio assault for many years to come.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard.com.