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Music review: David Bowie – ‘Blackstar’

By Clint Rhodes for The 3 min read
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Only a day after finishing my review of David BowieĢƵ latest effort, I was stunned to learn of his sad passing.

A musical visionary, rock star and cultural icon, Bowie bids a final and glorious farewell with a new album that follows an avant-garde path of surreal nuances and kaleidoscopic tones that masterfully exemplify his genre-breaking career. With the release of “Blackstar” on his 69th birthday, Bowie and longtime collaborator Tony Visconti introduce seven engaging tracks with an experimental edginess that possess flavorings of jazz, electronic, industrial rock, pop and hip-hop.

The progressive vision of BowieĢƵ 25th album is showcased on the title track. The 10-minute opener is the musical equivalent of watching an episode of “The Twilight Zone” as the Thin White Duke takes listeners on a phantasmagorical escapade full of cryptic lyrics and hypnotic beats that slowly transform into lush balladry with Bowie declaring, “You’re a flash in the pan/I’m the great I am.” Even by BowieĢƵ standards, itĢƵ all a little bizarre and overwhelming.

“Sue (Or in a Season of Crime),” previously featured on 2014ĢƵ “Nothing Has Changed,” is re-recorded displaying a guitar-driven pulse with Rush-like overtones, ominous sense of urgency and frantic despair.

The albumĢƵ high point comes with “Lazarus” gracefully flowing under the effortless weight of BowieĢƵ haunting vocals and Donny McCaslinĢƵ hypnotic sax playing. “Look up here, I’m in heaven/I’ve got scars that can’t be seen,” sings Bowie on the track taken from his stage adaptation of “The Man Who Fell to Earth.”

The album closes with Bowie surrendering to more of a pop style found on 1976ĢƵ “Station to Station,” which happens to be my first Bowie album and still one of my favorites. “I Can’t Give Everything Away” melodically balances BowieĢƵ lyrics of uncertainty and disheartenment as Bowie sings in a melancholy manner, “Seeing more and feeling less/Saying no but meaning yes/This is all I ever meant/ThatĢƵ the message that I sent.”

As with most of BowieĢƵ music, the listener needs to patiently peel back the multitude of layers encompassing his intended messages to allow each ingredient to be completely absorbed and fully appreciated.

While “Blackstar” serves as a closing act, Bowie proves that neither age or deteriorating health could restrain his passion to continue to seek out unconventional styles to deliver his innovative musings.

Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard .com.

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