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Music review: Panic! at the Disco – ‘Death of a Bachelor’

By Clint Rhodes for The 2 min read
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Hold on.

ThereĢƵ no need to panic.

While Harry Nilsson and Three Dog Night taught us about one being the loneliest number, Brendon Urie is careful not to be spending his alone time just making rhymes of yesterday.

As the last remaining original member of Panic! at the Disco, the 28-year-old frontman turns his recent solitude into a raging party. The bandĢƵ fifth studio album is more of a solo effort with Urie writing the majority of the material as well as performing the lead and backing vocals, guitars, bass, drums and keyboards.

A far cry from Panic! at the DiscoĢƵ emo-pop debut from 2005, the latest release is an immersive listening experience that manages to come off as both retro and new with Urie confidently leading the way. Urie has described his current effort as an unusual mixture of Frank Sinatra and Queen with a little jazz, rock and new wave influence sprinkled in for good measure.

A hint of QueenĢƵ “Bohemian Rhapsody” adds a dramatic flavoring to “EmperorĢƵ New Clothes,” while the title track channels the smooth crooning of Sinatra as Urie announces, “Alone at a table for two and I just wanna be served.” “Crazy=Genius” races with the big-band swing of the Squirrel Nut Zippers and Brian Setzer and “LA Devotee” shines brightly under a pop slickness reminiscent of Maroon 5.

“Hallelujah” and “Victorious” are arena-styled anthems that supply the album with an unbridled energy and celebratory tone accompanied by the hangover consequences outlined in “Don’t Threaten Me with a Good Time” as Urie declares, “I lost a bet to a guy in a chiffon skirt/But I make these high heels work.”

For me, the best is saved for last as Urie delivers an engaging vocal performance on the album closer “Impossible Year.” The sentimental number filled with sorrow and regret adds a touch of grace and sophistication in reference to the albumĢƵ title. A refreshed, refined and rebooted Panic! at the Disco proves to be a delightful peculiarity.

Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard.com.

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