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Music review: Jeff Beck – ‘Loud Hailer’

By Clint Rhodes for The 3 min read
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Throughout his stellar career, Jeff Beck has awed, amazed and electrified fans with his guitar brilliance. I can fondly remember my oldest brother frequently playing the Willie Dixon track “I Ain’t Superstitious” from BeckĢƵ 1968 debut album “Truth,” featuring Rod Stewart and Ronnie Wood.

On his first new release in six years, the guitar legend continues to adapt to the times by cranking out 11 tracks of blunt commentary highlighting the many injustices leeching off the world today that possess various elements of rock, blues, funk and punk.

For “Loud Hailer,” Beck collaborates with singer Rosie Bones and guitarist Carmen Vandenberg of the London band Bones to orchestrate a guitar-driven message for the masses to cease casually observing events from the comforts of home and to actively start making a difference.

“The revolution will be televised/You can choose to watch or not/But if we all just talk from the safety of our sofas/There won’t be much revolution to watch,” warns Bones on the gritty opener “The Revolution Will Be Televised.”

The two-time Rock And Roll Hall of Fame inductee follows with the fiery “Live in the Dark” as Bones declares the need for unity singing, “We’ll hold hands in the dark/’Cause when you hold hands in the dark/You don’t know whose hand you hold/We’re just humans letting the love flow.”

Beck sets his sights on crooked political leaders and the selfish influence of the rich on “Thugs Club” and explores todayĢƵ insatiable need for instant gratification and the growth of greed with “Right Now.”

The 72-year-old guitar god offers a little Hendrix-like guitar work on “Scared for the Children.” The powerful ballad examines the loss of innocence as well as the dumbing down of todayĢƵ youth by the endless hours of meaningless programming found on television.

“O.I.L.” finds Beck playing an oil can guitar given to him as a gift from ZZ TopĢƵ Billy Gibbons to deliver a funky groove that helps punctuate how our dependence on oil has had devastating consequences for people and the environment.

Through all the dire warnings and the stern call to action, Beck concludes the set with a promising ballad. “Shrine” radiates a sense of hope and offers a promising light that exposes, and ultimately, eliminates the darkness hiding in the world and in our souls.

Clint Rhodes is the ĢƵ music reviewer. He can be reached at crhodes@heraldstandard.com.

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