Music review: Red Hot Chili Peppers – ‘The Getaway’
Piano, string orchestration and synth grooves are not normally associated with the Red Hot Chili Peppers. ThatĢƵ all about to change with the release of the California bandĢƵ 11th studio album.
Rick Rubin, who has produced each of the bandĢƵ albums since the 1991 classic “Blood Sugar Sex Magik,” exits and gives way to the slick atmospheric vision of Danger Mouse.
“The Getaway” breaks new ground with songs of heartache, loss and self reflection. The new material flourishes under Danger MouseĢƵ direction with an added radio-friendly feel and an astute sense of vulnerability to the layered meanings of the arrangements.
Anthony Kiedis, still sporting his Burt Reynolds’ mustache, delivers some of his finest vocal performances while FleaĢƵ unmistakable bass playing, Chad SmithĢƵ masterful drumming and Josh KlinghofferĢƵ fervent guitar work soulfully fuse with the insightful lyrics to ultimately conceive a set of songs that rival 1999ĢƵ masterpiece “Californication.”
Right from the start, the title track sets a different tone with lovely backing vocals provided by Anna Waronker. From there, “Dark Necessities” follows with FleaĢƵ infectious basslines ushering in touches of acoustic guitar and piano accompaniment on the track written in the studio with Danger Mouse that speaks to the light that comes out of the dark periods in life.
The catchy “Sick Love” is a Sunshine State shout-out that features Elton John on piano and lyrics contributed by Bernie Taupin. Danger MouseĢƵ influence can be clearly heard on the slick synth feel of “Go Robot” and its distinct ’80s vibe and “Feasting on the Flowers” that exhibits the smooth sounds of R&B with palatable pop leanings.
“Detroit” is a muscular rocker with plenty of grit and attitude just like the city it is named after. “The Longest Wave” and “Goodbye Angels” are melodic meditations that sound as if they were pulled straight off “Californication.”
The most adventurous sounds are found on “This Ticonderoga” and “Dreams of a Samurai.” The former is a delightful schizophrenic work of art that rocks with a punk fury, only to surrender to traces of elegant orchestration while the latter brings a soaring climax to the album.
With “The Getaway,” the Red Hot Chili Peppers find a brand new groove to build upon.