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Music review: Keith Urban – ‘Ripcord’

By Clint Rhodes crhodes@heraldstandard.Com 3 min read
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Don’t let the banjo-led opener fool you, Keith UrbanĢƵ latest album isn’t your typical contemporary country effort.

The Australian songwriter, vocalist and guitarist has said that “Ripcord” is all about the energy. With all that unrestricted energy surging through the new tracks, there comes a sense of excitement and freshness through the exploration of different musical styles while still maintaining a familiar country core.

As UrbanĢƵ eighth studio release seems destined for massive crossover appeal, some die-hard fans may need to give the arrangements a little extra time to digest and process before making a final conclusion on whether the change is for the better.

“Ripcord” is fueled by the country leanings of the first hit single “John Cougar, John Deere, John 3:16” that was released nearly a year ago. The guitar work that navigates the thumping beat and irresistible hooks was inspired from Steve MillerĢƵ “The Joker.”

“Wasted Time” is the perfect summer anthem about cruising the town listening to the radio singing along to “Sweet Child O’ Mine.” I have no doubt that Urban has probably belted out a few notes of this classic by Guns N’ Roses more than a few times before.

The party atmosphere continues on “Sun Don’t Let Me Down,” featuring the charismatic rap of Pitbull as well as the funky guitar playing of Nile Rodgers. “TonightĢƵ going down until the sun comes up,” announces Pitbull as he kicks off the festivities by introducing Urban as Mr. Worldwide.

“Habit of You” is a slow, sultry R&B number that has Urban channeling the pop slickness of Adam Levine of Maroon 5 and “Blue Ain’t Your Color” serves as an engaging country-blues arrangement with a throwback feel from the 1950s. Urban continues to turn up the heat with the steamy “Your Body” and “Gettin’ in the Way.”

The highlight of the album appears during UrbanĢƵ duet with Carrie Underwood. Both country superstars deliver an infectious pop sheen on “The Fighter.” UnderwoodĢƵ performance proves that (if she ever wanted) she could follow Taylor Swift and seamlessly make the transition from a country mega-star to pop diva without alienating her fans. If you get the chance, I strongly urge you to check out the video Urban posted of him and his wife, Nicole Kidman, lip-syncing and having a playful blast with the number.

UrbanĢƵ latest musical diversion reminds me a lot of Grace PotterĢƵ transformation on her last album. On “Midnight,” Potter risked the shedding of her earthy blues and rock roots for a dance-pop flavoring that resulted in pure intoxicating magic.

My wife and mother-in-law simply adore Urban. They have all of his albums and have even stood in a torrential downpour just to experience one of his entertaining shows. Only Mother NatureĢƵ lightning could abruptly bring a halt of their euphoric viewing and listening adventure.

With no current concert stop in Pittsburgh posted yet, it looks as though I’ll be taking my wife on a well-deserved road trip to see Urban perform at ClevelandĢƵ Blossom Music Center on July 15.

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