Music review: Eric Clapton – ‘I Still Do’
I stop and take notice every time Eric Clapton releases a new album. ClaptonĢƵ musical genius has been comfortably woven into my love of music since the day I stumbled upon my brotherĢƵ copy of CreamĢƵ “Disraeli Gears.”
After playing memorable cuts like “Strange Brew,” “Sunshine of Your Love” and “Tales of Brave Ulysses” over and over until the turntable needle wore out, I began to dig deeper into my brotherĢƵ extensive music catalog to find albums from the Yardbirds and John Mayall and the Bluesbreakers, featuring the magic of Clapton. Later, I would discover the passion of Blind Faith and Derek and the Dominos before following the guitar legendĢƵ solo career.
In 2014, Eric Clapton gathered up a few special friends such as Mark Knopfler, Tom Petty, Willie Nelson, Derek Trucks and John Mayer to pay tribute to J.J. Cale on the engaging “The Breeze: An Appreciation of J.J. Cale.”
For his 23rd studio effort, Clapton returns with his distinctive interpretations of blues numbers from artists such as Cale, Bob Dylan, Skip James and Robert Johnson as well as a few original tracks penned by the three-time inductee into the Rock and Roll Hall of Fame.
Clapton is once again reunited with Glyn Johns, who handled the production duties on 1977ĢƵ “Slowhand.” While nearly everyone I went to high school with owned a copy of this classic album, I personally consider ClaptonĢƵ 1978 “Backless” release that contained “Watch Out for Lucy,” “Tell Me That You Love Me,” “Promises” and “Tulsa Time” as my all-time favorite Clapton offering.
“I Still Do” proves that the 71-year-old guitar legend still does know a thing or two about the blues. Johns masterfully captures the sincerity and spontaneity of the arrangements by allowing Clapton and his band to deliver the vibe of a live performance during the studio sessions.
The 12-track set opens with a rousing version of Leroy CarrĢƵ “Alabama Woman Blues” and is followed by the soulful “Can’t Let You Do It.”
The fiery blues tracks “Cypress Grove” and “Stones in My Passway” give listeners plenty of reasons to handclap and foot tap.
DylanĢƵ “I Dreamed I Saw St. Augustine” is lovingly caressed by Clapton, while “I’ll Be Alright” carries a gospel flavoring that is comforting and reassuring.
“You don’t know how much it means to have this music in me,” announces Clapton on the original track “Spiral,” reinforcing his passion for the music he creates and plays.
With his latest effort, itĢƵ perfectly clear that one of musicĢƵ most influential guitar players still appreciates performing the music he genuinely loves.