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Music review: Butch Walker — ‘Stay Gold’

By Clint Rhodes for The 3 min read
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Butch Walker has always had a way of crafting songs that possess an abundance of sugary hooks and mouthwatering lyrics.

From his time with Marvelous 3 and into his solo career, WalkerĢƵ songwriting has received the attention of critics and fans through the Georgia nativeĢƵ heartfelt storytelling relayed in power-pop tracks drenched in wit, vulnerability and rebellion.

WalkerĢƵ last album abandoned the usual infectious pop-and-rock formula to feature engrossing arrangements that were deliberately slower, darker, revealing and introspective with last yearĢƵ “Afraid of Ghosts.”

With “Stay Gold,” Walker returns from the shadows with 10 invigorating tracks about hope, perseverance, love, heartache, regret, survival and triumph that represent some of the most engaging songwriting of his career.

Taking a reference from S.E. HintonĢƵ novel “The Outsiders,” the title track opens with a gritty guitar lick that recklessly introduces the lyrics detailing the joys and struggles of growing up and trying to find your own path through all the bumps and scrapes experienced along the way.

“East Coast Girl” continues the guitar-driven rock with hints of Bruce Springsteen as Walker passionately screams his intentions to prove his love to a disillusioned girl by singing, “So Johnnie tell me that you’re alright/I wanna cover you up tonight/Give me one more chance to show you something real/You can run but you can’t hide/ItĢƵ a cruel, cruel summer outside/Shine on little baby, you’re too good for this world/Just another broken East Coast girl.”

Walker slows down the mood on a tender power ballad with country singer Ashley Monroe on “Descending.” Describing a fragile relationship in need of direction, MonroeĢƵ sweet Tennessee voice sings, “Maybe I’m just scared of landing/Maybe you are too/ItĢƵ a beautiful misunderstanding/From my point of view.”

Walker counters by announcing, “ThereĢƵ a memory I keep having/And I don’t know what it means/We’re not falling, we’re not flying/ItĢƵ somewhere in between.”

There are plenty of fist-pumping moments and sing-along choruses on “Ludlow Expectations” with Walker declaring, “And thereĢƵ a melody in my head/And I’ll sing it till you come home/And if you do I ain’t ever letting go.”

“Record Store” closes out the engaging set with acoustic guitar and violin adding a nostalgic feel as Walker paints a vivid picture of longing for a past lover and yearning for the way things used to be as he sings “Meet me at the record store/Even though it ain’t there anymore.”

Walker certainly lives up to the albumĢƵ title and proves that the melodies in his head are indeed golden.

Clint Rhodes is the ĢƵ music reviewer.

He can be reached at crhodes@heraldstandard.com.

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