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Music review: Skye and Ross: ‘Light of Gold’

By Clint Rhodes for The 2 min read
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ItĢƵ aways good to venture outside your comfort zone from time to time.

This rule also applies to musical tastes. With so many albums of various styles released every week, itĢƵ easy to allow a few gems to slip through the cracks and into permanent obscurity. But not this particular week.

Prior to my recent trip to see Jonny Lang and Buddy Guy perform in Mississippi, I discovered a new album that changed the way I thought about electronica.

Twenty years after MorcheebaĢƵ debut release, members Skye Edwards and Ross Godfrey embark together to pursue new musical interests.

The duoĢƵ debut release found its way onto my playlist with low expectations.

After a first listen, I was quickly drawn toward the absorbing offering that blends various musical styles of trip-hop, pop, blues and electronica into one unique sound.

“Light of Gold” is the albumĢƵ stripped-down first single that comes across effortlessly and comforting with the help of Edwards’ dreamy vocals that simply steal the show.

A cosmic vibe ushers in “How to Fly” as the number transitions into Talking Heads mode on the engaging track with GodfreyĢƵ guitar solo unexpectedly interrupting the hypnotic beat.

“Clear My Head” and “Head Home” are haunting tracks that architect an acoustic aura of beauty previously delivered by Ann and Nancy Wilson on classic Heart tracks like “Dreamboat Annie” and “Dog & Butterfly.”

A sense of surreal beauty surrounds “Hold On” and makes it a perfect fit for any David Gilmour or Kate Bush album.

“Feet First” pulsates and seduces as Edwards delivers a vocal performance reminiscent of Donna Summer on her vintage disco track “I Feel Love.”

“The Point of No Return” methodically brings the 10-song set to a gracious close with Edwards announcing, “I have crossed the river/Past the point of no return.”

I know the feeling well. After listening to this captivating creation, a new band and musical style have been permanently added to my music catalog.

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