ĢƵ

close

Music review: Chris Stapleton – ‘From A Room: Volume 2’

By Clint Rhodes for The 3 min read
1 / 2
Music review: Chris Stapleton - ‘From A Room: Volume 2’
2 / 2

Rhodes

After years of penning great songs for other country artists, Chris Stapleton got his chance in the bright spotlight with the release of his debut album in 2015.

“Traveller” fittingly illustrated the no-nonsense style from a new kind of country outlaw on tracks like “Parachute,” “Nobody to Blame” and “Tennessee Whiskey.”

In May 2017, Stapleton followed the success of “Traveller” with a new set of nine engaging tracks on “From A Room: Volume 1.”

The Kentucky nativeĢƵ third effort continues to highlight his trademark vocals and poignant songwriting with “From A Room: Volume 2.” This second installment offers up another nine tracks possessing elements of Southern rock, blues and classic country.

Perhaps Stapleton could have simply waited and combined both releases to create one remarkable album, but I look at it as being treated to something so good over a long period of time as opposed to all at once and then itĢƵ over.

On his latest release, the landscapes sculptured by the accomplished singer-songwriterĢƵ lyrics are accentuated by the authentic tone resonating from StapletonĢƵ compelling voice that feeds off raw emotion and a common man mentality.

“They say love is more precious than gold/It can’t be bought, it can’t be sold/I’ve got love enough to spare/That makes me a millionaire,” sings Stapleton on the opening track about experiencing the type of love that is more precious than any material gain, proving once again that love is all you need to feel truly rich.

“Hard Livin'” and “Midnight Train to Memphis” are rousing outlaw anthems that evoke memories of Waylon Jennings, Merle Haggard, Jerry Jeff Walker and David Allan Coe as Stapleton gets the joint jumpin’ with a steady dose of grinding guitars and true rebel mentality.

“DrunkardĢƵ Prayer” serves as a solemn confessional induced by one too many drinks during a conversation with God that leads to the promise of a change in ways from a sinner that is too ashamed to go to church because of the damage done by a life thatĢƵ gone off track as Stapleton sings, “When I get drunk and talk to God/I say I’m sorry for all the things I’m not/I mean every word I say/When I promise I can change.”

For me, the centerpiece of the album is found on the smoldering “NobodyĢƵ Lonely Tonight.” ItĢƵ haunting how much Stapleton sounds like the late Chris Cornell as he digs deep to deliver up the pain and heartache from previous relationships with closing time drawing near as he announces, “You be her/And I’ll be him/And for a while we’ll pretend/NobodyĢƵ lonely tonight.”

Stapleton closes things out in a satisfying way as he reflects on a life that he loves and proves heĢƵ a dedicated friend as he sings, “If you’re on the street I’ll take your hand/If you’re hungry I’ll give you food/If itĢƵ money you need I got some saved/If you’re sick I’ll visit you.”

Just like James Taylor, you’ve got a true friend in Stapleton.

Clint Rhodes is the ĢƵ music reviewer. He can be reached at clinton43@me.com.

CUSTOMER LOGIN

If you have an account and are registered for online access, sign in with your email address and password below.

NEW CUSTOMERS/UNREGISTERED ACCOUNTS

Never been a subscriber and want to subscribe, click the Subscribe button below.

Starting at $4.79/week.