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Music review: Joe Bonamassa – ‘Live at Carnegie Hall: An Acoustic Evening’

By Clint Rhodes for The 2 min read
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How do you get to Carnegie Hall? Practice of course. That classic joke certainly seems appropriate for the newest release by Joe Bonamassa. Plenty of practice first got a 12-year-old Bonamassa an opening gig with blues icon B.B. King back in 1989. The New York native has been on a roll ever since.

One of the worldĢƵ most talented guitarists brings his nine-piece band to the legendary New York City concert hall for a spirited acoustic performance recorded during two evenings in January 2016.

I’ve listened to a number of BonamassaĢƵ live recordings, and I can honestly state that this stripped-down delivery of passionate blues numbers stands as my favorite.

With a lineup composed of Reese Wynans on piano, Anton Fig on drums, Eric Bazilian handling the mandolin, banjo and saxophone, backing vocalists Mahalia Barnes, Juanita Tippins and Gary Pinto as well as acclaimed cellist Tina Guo and percussionist Hossam Ramzy, BonamassaĢƵ six-string wizardry is elevated to another level. As a result, “Live at Carnegie Hall: An Acoustic Evening” is one of the defining albums of BonamassaĢƵ celebrated career.

The show opens with “This Train” from 2016ĢƵ “Blues of Desperation” with Wynans on piano offering up a brief tease of Jethro TullĢƵ “Locomotive Breath.” From there, classic Bonamassa-penned tracks like “Drive,” “Dust Bowl” and “Blue and Evil” serve as brilliant works of musical emotion by a man who knows more than a thing or two about the blues.

Versions of “Black Lung Heartache” and “How Can a Poor Man Stand Such Times and Live” are intensely touching, impassioned and even spiritual with BonamassaĢƵ vocals standing front and center on these stirring performances.

The set closes with an eloquent cover of Leon RussellĢƵ “Hummingbird” and a soulful reworking of “The Rose.”

With his latest effort, the contemporary blues virtuoso demonstrates that heĢƵ at the top of his game and deserving to be mentioned in the same sentence, dare I say, as guitar god Eric Clapton.

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