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Music review: Styx – ‘The Mission’

By Clint Rhodes for The 3 min read
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Prior to 1977, my only knowledge of the band Styx was the infectious power ballad “Lady.” However, that would all change after my older brother purchased “The Grand Illusion.”

Loaded with great classic rock like “Come Sail Away,” “Superstars,” “Miss America,” “Fooling Yourself (The Angry Young Man)” and the explosive title track, I was suddenly thrust into Styx fandom continuing over the next several years by eagerly acquiring “Pieces of Eight,” “Cornerstone” and “Paradise Theater” just as quickly as possible upon release. For me, “The Grand Illusion” will always be the definitive Styx album by which all other Styx releases are measured.

The bandĢƵ first studio effort of original material since 2003ĢƵ “Cycloramo” is surprisingly a futuristic tale detailing a manned mission to Mars in the year 2033.

While the humans-replaced-by-robots themed “Kilroy Was Here” from 1983 proved to be a successful concept album, it ultimately strained the band as far as settling on a musical direction moving forward and caused lead singer Dennis DeYoung to ultimately walk away to pursue his own musical interests.

“The Mission” looks to recapture some of the rock and theatrical elements found on “The Grand Illusion” and “Pieces of Eight” with a lineup of Tommy Shaw and James Young delivering StyxĢƵ signature guitar sound surrounded by a solid rhythm section provided by drummer Todd Sucherman and bassists Chuck Panozzo and Ricky Phillips and the energetic keyboards and vocals offered by DeYoungĢƵ replacement, Lawrence Gowan.

Upon first listen of the 14-song saga, one could say the bandĢƵ mission was indeed accomplished.

Inspired writing and playing as well as an array of lush (yet powerful) harmonies contribute to the effectiveness of the sprawling material as Styx returns to earlier studio form and creates a new collection of tracks to add to the bandĢƵ vigorous touring playlist. “Light it up/LetĢƵ get this show on the road,” sings Gowan on “Gone Gone Gone” as he relays the bandĢƵ enthusiasm for showcasing what is to come.

Additionally, the albumĢƵ production mix makes it a must-listen for headphone enthusiasts in order to further enhance the cosmic-sounding experience. I recently broke out my headphones for a listening of “Relayer” by Yes. Within just a few minutes, I was reminded how magical headphones can be for select albums. Needless to say, I’m looking forward to hearing the nuances of “The Mission” through the magnification of the headphone experience.

If you’re a fan of early Styx, make “The Mission” your next musical purchase and savor the journey.

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