Music review: Taylor Swift – ‘Reputation’
LetĢƵ face it, our little girl is growing up so fast. Taylor Swift has come a long way from her days as a country sweetheart on her self-titled debut. At the time, Swift was a 16-year-old singer-songwriter embracing her Nashville surroundings.
The Pennsylvania native continued her country leanings with 2008ĢƵ “Fearless.” A year later, Swift was rudely pushed into music history when Kanye West hijacked her acceptance speech for “You Belong to Me” at the MTV Video Music Awards. That incident seemed to be a defining moment for SwiftĢƵ blossoming career.
With the release of 2012ĢƵ “Red,” Swift began her transformation from country superstar to pop sensation. Her next effort, “1989,” shook off SwiftĢƵ country roots with slick and infectious tracks like “Welcome to New York,” “Blank Space,” and of course, “Shake It Off.”
With “Reputation,” SwiftĢƵ sixth studio release is one fearless statement about confidently embracing the trappings of success both professionally and personally.
“…Ready for It?” kicks off the 15-track set with an ominous bass groove mixed with a pulsating electronic beat that reveals SwiftĢƵ urge to go after what she wants without regret. I must confess, Swift sounds an awful lot like a boisterous Avril Lavigne (not a bad thing) as Swift announces, “Baby, let the games begin.”
“End Game” finds Swift getting attention from Future and Ed Sheeran as Future sings, “You so dope” and Swift adding, “I wanna be your A-Team.” I certainly pity the fool that dares to mess with Swift.
On “I Did Something Bad,” Swift does something bad by dropping her first swear word as she demonstrates that she can handle her own battles all by herself. Yes, she may have done something bad, but why does it feel so good?
The innocent country girl from earlier albums makes a brief appearance on the albumĢƵ final cut. “New YearĢƵ Day” is a stripped-down track featuring Swift reminiscing about holding on closely to the memories we make.
Great memories will certainly be made when Swift arrives in Pittsburgh at Heinz Field on Aug. 7 for a performance that is sure to reinforce her reputation as one of the biggest stars in music today.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at clinton43@me.com.