Music review: Revamp: Reimagining the Songs of Elton John and Bernie Taupin’
Music icon Elton John will be drawing the satin curtains to a graceful close with a farewell tour that will eventually lead him along the Yellow Brick Road to retirement.
With JohnĢƵ final bow approaching, several notable pop and rock artists pay a savory tribute to the man and his longtime writing partner, Bernie Taupin.
I’ve been a huge fan of John since the day I heard my oldest brother playing 1972ĢƵ “Honky Chateau.” “Goodbye Yellow Brick Road” was the next album to capture my attention. To this day, “Funeral for a Friend/Love Lies Bleeding” still gives me goosebumps when I hear it.
However, it was with the release of 1975ĢƵ “Captain Fantastic and the Brown Dirt Cowboy” that I truly began to understand the genius of John and Taupin. I can still sing every word to every song on this masterpiece that outlines the duoĢƵ musical struggles and ultimate rise to superstardom.
For me, “Revamp: Reimagining the Songs of Elton John and Bernie Taupin” is a bittersweet listening experience.
The list of artists lending their signature style to reinterpret these classic John and Taupin tunes is certainly impressive.
After a rocky start on the opener “Bennie and the Jets,” performed by the trio of John, Pink and Logic, I was hesitant to venture any further as I suddenly had the urge to dig through my music catalog and pull out “Madman Across the Water” and lose myself in a little slice of heaven from 1971.
Determined to continue on, I was rewarded with some moving performances that should satisfy fans of the flamboyant Englishman.
ColdplayĢƵ version of “We All Fall in Love Sometimes” matches the blue mood of the original. Ed Sheeran replaces the piano for acoustic guitar and provides a folkish vibe to “Candle in the Wind.” Brandon Flowers masterfully navigates the stirring “Mona Lisas and Mad Hatters” by staying true to the original with minimal modifications to this classic.
Other highlights include “Goodbye Yellow Brick Road” offered by Queens of the Stone Age, “Daniel” tenderly performed by Sam Smith and a mesmerizing version of “Tiny Dancer” by Florence + the Machine.
As much as it pains me to write this, the spotlight moment comes with Miley Cyrus simply crushing “Don’t Let the Sun Go Down on Me.” LetĢƵ face it, the woman might be a hot mess most of the time, but she certainly can sing.
The sun might be slowly going down on the British legend, but area fans will have the chance to catch him one last time when he makes a Pittsburgh appearance on October 10 at PPG Paints Arena.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at clinton43@me.com.

