Music review: Shooter Jennings – ‘Shooter’
When you are the son of country music icons Waylon Jennings and Jessi Colter, expectations are high concerning your musical talent. Fortunately for Shooter Jennings, the apple doesn’t fall from the tree.
When I was much younger and times were less complicated, Donny and Marie Osmond used to sing “A Little Bit Country, A Little Bit Rock ‘N’ Roll” on their television variety show every week.
That catchy little number can be used to describe Jennings’ musical leanings.
The Nashville native blends the truthfulness of country with the rowdy defiance of rock to create a swagger that appeals to a wide fan base.
The 39-year-oldĢƵ eighth studio album follows 2016ĢƵ “Countach,” a synth-heavy tribute to Italian composer Giorgio Moroder. Simply titled “Shooter,” Jennings’ latest offering is a triumphant return to his country and rock roots.
“Bound ta Git Down” is a blistering country-rock party anthem that opens the festivities with a high-energy vibe reminiscent of Charlie Daniels’ “The SouthĢƵ Gonna Do It Again” with Jennings singing, “Well I was born in Tennessee but it couldn’t hold me.”
“Do You Love Texas?” is a love letter about everything that makes the Lone Star State great and serves as a spirited singalong that is sure to get a crowd in the proper mood to bust loose when Jennings declares, “Well the beer just tastes better down in Texas, don’t you know/And them ol’ cowboy singers always steal the show.”
Jennings once again displays his keen writing skills by writing or co-writing all nine of the new songs.
On tracks such as “Living in a Minor Key,” “Fast Horses & Good Hideouts” and “Rhinestone Eyes,” Jennings delivers old-school country tracks that would be a perfect fit for country stalwarts like David Allan Coe, Merle Haggard and George Jones.
“Denim & Diamonds” is a melodic slow burner that closes out the album. As I listen to this number with my eyes closed, I couldn’t help but picture Elton John penning and performing this captivating arrangement early in his career for “Tumbleweed Connection” or “Honky Chateau.”
Loaded with plenty of gusto and honest emotion, “Shooter” places Jennings back on track and at his entertaining best.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at clinton43@me.com.

