Music review: Wildeyes – ‘Beauty & Sadness’
I always love it whenever people make me aware of new bands that I should review. Months ago, Joie Davidson tipped me off to an up-and-coming band that was performing in the area. After checking out the bandĢƵ Facebook page and listening to a few song clips, I was immediately impressed by the Nashville trio and simply had to hear more.
My copy of “Beauty & Sadness” by Wildeyes arrived last week, and I have been totally enjoying the beautiful harmonies, stellar musicianship and strong songwriting featured on the 11 tracks from the debut release.
For me, the vibe of the new album was reminiscent of Lone JusticeĢƵ 1986 album “Shelter.” Led by Maria McKeeĢƵ passionate vocals and memorable tracks such as “I Found Love” and “Dixie Storms,” the sophomore effort by the Los Angeles-based band received a heavy dose of playing time during my senior year of college.
Just like McKee, lead singer Emily KohaviĢƵ stirring voice adds depth and meaning to the songs possessing elements of folk, country and Americana.
“Tennessee Is Alive” opens the set with a cautionary tale about protecting the identity and charm of a small town from outsiders wanting to capitalize and cash in for personal greed.
For me, the strength of the album is showcased on three stunning tracks focused on the pain of lost love.
The hurt and regret left behind after a dissolved relationship fuel the sadness of “Nothing Less, Nothing More.” “Empty Love” is a desperate declaration of the emptiness experienced after having your heart drained of love by someone unable or unwilling to reciprocate. “Dying Slow” is another lovely and tragic track about attempting to discover direction and purpose after losing faith as love gradually fades, leaving only emotional scars and self-doubt.
“Sunday” offers a heavenly promise of hope on this infectious number that speaks of a spiritual renewing of the mind, body and soul through the inspiration of what a Sunday morning delivers.
“Dance with the Devil” serves as the darker counterpart to “Sunday” with its poignant confessional regarding the struggles of resisting temptation and the guilt that weighs heavy on the heart.
“I Won’t Go” softly closes the set with KohaviĢƵ dreamy vocals being graciously supported by acoustic guitar and violin on this arrangement about sacrificing everything for the one you love.
If you didn’t get the right gift this Christmas, treat yourself to this engaging new album from a band that is poised to make it big very soon.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at clinton43@me.com.

