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Music review: Jeremy Messersmith – ‘Late Stage Capitalism’

By Clint Rhodes for The 3 min read
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“I have a knack for awkward silences,” announces Jeremy Messersmith on “Purple Hearts,” the opening track from his latest release “Late Stage Capitalism.”

The albumĢƵ first single playfully describes the uncomfortable feeling of a first date that is quickly going nowhere with Messersmith declaring, “We’re off to an awful start/Proudly showin’ off our purple hearts.”

The creative indie-pop artist successfully integrates elements of everyday life on 11 casual tracks of glorious infectious pop.

“Monday, You’re Not So Bad” finds Messersmith pondering the virtues of the dreaded first day of the work week with a whimsical vibe that sounds like a blending of the Monkees, Fountains of Wayne and the Mamas and the Papas casually hanging out in your living room for an impromptu jam session.

Much of the material possesses a nostalgic feel of the 1960s and could have easily been produced by the likes of Brian Wilson with its simplistic tales of navigating life and finding joy and satisfaction by not taking things too seriously.

The sleek sophistication of “Postmodern Girl” evokes the bossa nova stylings of “The Girl from Ipanema” with added splashes of vintage Burt Bacharach and his suave melodies.

The opening notes of “Happy” follow the same recognizable introduction of “Good Vibrations” before Messersmith injects his views about compulsively making numerous purchases to find fulfillment when money might be short but time is abundant. As a result of our consumerism, the realization that money can somehow buy happiness is pondered as Messersmith confesses, “Everything that I hold owns a piece of me.”

The gentle ballad “Don’t Call It Love” finds Messersmith reflecting on past relationships that have faded, resulting in the hesitance to attach the four-letter word to a budding romance by simply calling it an infatuation or a full-time fling.

“No Superheroes in Cleveland” closes the set with the amusing observation that all the superheroes and villains have hastily left town for the more glamorous digs of New York and Los Angeles, leaving residents to go about their day in a state of normalcy without all the hype and fanfare.

ThereĢƵ certainly something to be said for living a quiet life as Messersmith crafts a delightful soundtrack that allows all of us to play pretend superhero in our own little world.

Clint Rhodes is the ĢƵ music reviewer. He can be reached at clinton43@me.com.

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