Music review: ‘Foreigner with the 21st Century Symphony Orchestra & Chorus’
I’ve been a fan of Foreigner ever since I was captivated by the muscular opening guitar riffs that fueled “Feels Like the First Time.” With tracks like “Cold as Ice,” “The Damage Is Done” and “Headknocker,” the bandĢƵ self-titled debut release received repeated playing time at a high volume in my house throughout 1977.
Frontman Lou Gramm had the perfect rock voice and guitarist Mick Jones knew how to craft energizing arrangements of stadium rock that sparked rock star dreams for plenty of teenagers like me.
Gramm left the band years ago for a solo career, leaving Jones as the lone founding member of the band still calling the shots. Kelly Hansen has done an admirable job in duplicating GrammĢƵ vocal magic over the years and the younger members add a new vibrancy to the dynamic of the band.
ForeignerĢƵ latest effort consists of two performances recorded in Switzerland in 2017 along with the 21st Century Symphony Orchestra & Chorus. Recognized as one of the most popular rock acts in the world, Foreigner rocks out with the elegant backing of a 58-piece orchestra and a 60-piece choir.
“Overture” opens the evening in a grand and gracious manner, only to burst into the keyboard mastery of “Blue Morning, Blue Day” and “Cold as Ice.”
Highlights from the set include the cosmic “Starrider,” a rousing reworking of “Double Vision” and a stirring version of “When It Comes to Love.”
If there is one Foreigner arrangement suited perfectly for orchestra and choir, it is “I Want to Know What Love Is” from 1984ĢƵ “Agent Provocateur.” Fittingly, this soaring track brings the album to a glorious close.
I finally got the opportunity to see Foreigner perform live last year during the bandĢƵ 40th anniversary celebration with Cheap Trick and Jason BonhamĢƵ Led Zeppelin Experience. The show was simply amazing and proved that the groupĢƵ catalog still packs a powerful punch.
Fans can catch Foreigner performing all the hits during an appearance on June 27 at KeyBank Pavilion. Upon hearing “Juke Box Hero,” I guarantee there will be plenty of air guitar being played by guys my age as they see stars in their eyes and pretend the roar of the crowd is solely for them.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at clinton43@me.com.

