Music review: Kanye West – ‘Jesus Is King’
Kanye West gets closer to God with his ninth album. “Jesus Is King” details WestĢƵ spiritual awakening and reliance on a higher power.
Fronted by WestĢƵ Sunday Service choir, “Every Hour” is the spirited opener that gloriously sings the praises of living a life filled with GodĢƵ mighty works, grace and power.
On “Selah,” the 42-year-old West confidently professes his faith and eternal salvation as he sings, “To whom the Son set free is free indeed/He saved a wretch like me.” ItĢƵ a simple declaration that serves as a humble reminder of the opportunity we all have to receive the eternal gift.
West details the struggles of living in a world of unlimited temptations and sin on “Follow God.” In an effort to live a spiritual existence, West proclaims his need for guidance and support by stretching out his hands in order to connect to God and become more Christlike.
Tracks like “On God” and “Everything We Need” continue the theme of being equipped to meet every hardship and need through the blessings that freely flow from a spiritual rebirth.
Of the 11 songs featured on the new album, two specifically stand out to me with a sincere and impassioned message of being transformed into a greater being.
Joined by Ant Clemons and Sunday Service choir on “Water,” West addresses the cleansing rebirth experienced through baptism, making one as pure and innocent as a newborn by declaring, “Your loveĢƵ water/Pure as water/We are water.”
“God Is” perfectly embraces the true mood of the set by giving all the glory to God by declaring that God is the light in the darkness and the ever-flowing fountain that fills our cup with all that is good.
If you can get past the awkward Chick-fil-A reference showcased on “Closed on Sunday,” listeners will be rewarded with WestĢƵ timely examination about how society has surrendered to cultural pressure to conduct business as usual seven days a week and no longer observe Sunday as a day of rest and reflection.
“Jesus Is Lord” closes the album with West singing, “Every knee shall bow/Every tongue confess/Jesus is Lord.” The final number is short and direct in reference to every believerĢƵ call to spread the gospel message.
As with most West productions, “Jesus Is King” manages to encourage a diverse audience to the table. By making a bold statement about his faith and mission through his latest offering, West seeks to inspire others to do the same and serve as a witness to the world.
Clint Rhodes is the ĢƵ music reviewer. He can be reached at clinton43@me.com.

